(Re)significaciones suplementarias del dolor en Nefando, de Mónica Ojeda

This article addresses the novel Nefando, by Mónica Ojeda, based on experience of pain as a supplement, from theoretical paradigm Jacques Derrida, since its enunciation functions sign sign, which does not properly represent affect, rather, it generates false representative that makes itself present only absence. Consequently, affect is articulated difference insofar configures series possible disseminated and deferred meanings put into play limits meaning pointing out original lack. Thus, (re)signification production an discourse impossible, produces other modes signification call question fixity show de-centering textual structure.